I am an artist, photographer and art teacher blogging about the world as I experience it and sharing what I find interesting. A selection of my work is available from www.saatchionline.com/Sophiemayersart, or directly from me. Please contact me with any queries. Thanks for your time.
This week I spent two mornings taking part in an art class’s run by the incredibly talented and generous Fiona Graham Mackay.
I have not sat down and done an oil painting since I took my A levels (in 1998…) and was surprised by how successful it was, and how much I enjoyed it!
I feel the reasons I have shied away from oils are time, money and practicality. I intend to explore this beautiful and generous material further!
Everyone go and do an art course, meet up with a friend or three, join a group, whatever you want, but get out there and do some painting, just because it’s good for your soul.
These are my little paintings, whilst there is allot of space for improvement, I am immensely proud of taking the time for myself, that I haven’t forgotten everything I was taught, and for trying something different. Have a wonderful weekend. Sophie xxx
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Today I attended a full day drawing class with Nelson Ferreira at the V and A. It felt like a total indulgence being able to just sit and draw for hours!
As a drawing teacher it was great to see how others teach the same thing, and to learn better ways of explaining.
The things Nelson taught me today:
When explaining how to work out the angles think of the time, is the angle at 10 o’clock, or 2 o’clock? This seems like a great way to think about it! Shadows have no texture, and hold the picture to the object you are drawing to see the lights and darks, I found out my pictures are way too light! And finally to look at what is the sharpness of the line.
Here is my attempt:
The drawing lesson took place in the Cast Court, which I regret to know nothing about so here’s the V and A’s explanation:
“The Cast Courts at the V&A, two vast galleries that
house the Museum’s most important plaster cast
and electrotype reproductions, make a significant
impression on visitors. These faithful copies were
mainly taken from works of art or architectural
details throughout Europe during the nineteenth
century, when the collecting of such casts was at
its most popular. The Museum commissioned or
bought these reproductions from some of the
leading cast manufacturers of the day. The
collection that was assembled allowed people
who could not travel abroad to admire some of
the major European monuments and works of art.”